Archive for June, 2009

Uncanny X-Men #500 by Fraction and Brubaker!

Posted in Scripts on June 24th, 2009 by admin – Be the first to comment

Here it is gang, the script that internally battles itself for the title of “The One True Format”–

This script marks the first time we’ve had Ed Brubaker on the Archive, but as longtime readers know, we’ve got a few Fraction snippets spread around. What’s interesting about thumbing through this script is being able to tell who is writing what. It should be easy to spot, go take a look at the Cassanova script and compare it to this one– you’ll quickly see Fraction’s “page (point) panel” breakdown versus the “panel (slash)” of Brubaker.

Of course, what I find most interesting is how these two awesome writers collaborate. Luckily, Fraction spoke with CBR around the time of #500′s release to illuminate:

Fraction and Brubaker’s collaboration on “Uncanny X-men” is a lot different than the way they work together on “The Immortal Iron Fist,” where the two writers work together on the same issue. “We plot the big things together and than we sort of just go off on our own,” Fraction explained. “Ed has his issues and then I have mine and we just kind of swap back and forth doing mini-arcs.

Fraction will directly co-write his first “Uncanny X-Men” issue, #500, with Brubaker. From there he’ll write the next few issues, #501-503, on his own and then Brubaker will pick things up again. “We structured the thing so it’s a fiendishly organic sort of narrative,” Fraction stated. “Stories grow and recede in importance as we go. We just kind of say, ‘That’s your story and this is my story’ and then we bounce back and forth. It’s not even that rigidly patterned at this point, but it will be very organic.”

So there you have it. Without further fanfare, here’s Uncanny X-Men #500 by Ed Brubaker and Matt Fraction:

REMOVED BY REQUEST OF MARVEL

Warren Ellis on his writing process

Posted in Panel 1 on June 12th, 2009 by admin – 2 Comments

Taken from: Warrenellis.com

For the people who still ask me about process:

My comics scripting process has thoroughly mutated over the years. I use pretty much any method that works, and there’s little resembling a method left. Things sometimes start in a notebook, scrawled in pencil. Sometimes, on blessed days, I’ll open OpenOffice and start writing in fully-formatted script, straight from brain to page in finished manuscript.

But, usually, it’s like this. I’ll have an idea, stare into space for an hour assembling its bits and testing it for legs enough to get to the end, and then open Notepad and put things down very roughly, just to get it out of my head and down on the screen so I can see it. Sometimes it’s all dialogue with a quick stage note, sometimes it’s all descriptive work. The point is getting it all down, even if it’s crap or incomprehensible to anyone but you, so you can see it outside your own head. And then you can start adding to it. Expanding it, putting new layers on it, winding a new plotline around it, moving bits of it around. Just get it down.

This is how it often looks:

PAGE ONE

Pic 1
OWLSLEY sitting outside the Box, scowling. A gun, in its shoulder holster, on the table in front of him. Pagewide.

Pic 2

BOB comes in

thought you were interrogating a suspect?

The lieutenant thinks I need to learn from the young master in there.

Pic 3
in box — FELL (2pan)

OH GOD. RICHARD FRIGGING FELL.

NO, NO. DETECTIVE FELL, HAVING BEEN WORKING IN SNOWTOWN FOR SIX MONTHS — AS OPPOSED TO OUR COMBINED SERVICE OF FORTY-FIVE YEARS — IS APPARENTLY THE NEW JESUS OF POLICE WORK.

pic

I AM TO SIT HERE WHILE HE INTERROGATES MY COLLAR IN ORDER TO BE EDUCATED ABOUT HOW TO USE THE BOX.

pic

Bob indicates the gun. (2pan)

THAT?

THAT IS DETECTIVE FELL’S SIDEARM. HE HAS A NEW RULE. NO GUNS IN THE BOX.

(2pan) is a personal notation I use when writing FELL. All FELL pages are based on the nine-panel grid — (2pan) indicates knocking two panels together to make a single larger picture. (2pan) doesn’t survive to script, because it’s a code that has meaning only to me, and I need to make scripts easy to read. So I’ll expand that to “Ben, knock the next two panels into one for this shot.” I’ve got a sketchpad next to me where I jot down little nine-pic grids, because I’m counting frames to make sure I’m not running over the page or asking for an impossible (2pan). I think I’ve fucked that up at least once in the past.

Pagewide indicates knocking out the panel walls of an entire row to make a single wide picture. That’s one I also use in FREAKANGELS.

ANDY DIGGLE: 10 pack!

Posted in Scripts on June 10th, 2009 by admin – 1 Comment

“Man of Awesome”, Andy Diggle is a writer I hope you’re reading.  One of the members of Marvel’s “Write Stuff” group, Andy’s credits include Thunderbolts and Dark Reign: Hawkeye– That and a little upcoming book called Daredevil….so, yup, Diggle’s name will soon be joining the ranks of Miller, Smith, Bendis, Brubaker and the other extremely talented writers who have left their mark on Matt Murdock’s life.

Of course, it’s not like the guy just appeared from nowhere- Andy’s credits also include Green Arrow: Year One, Hellblazer, The Losers and Silent Dragon.

Andy’s scripts are well worth a read– like previous script archive author: Marc Sumerak , Diggle’s professional work experience includes time as an editor (for 2000AD). In my opinion, these are some of the best guys to crib from– former editors have run into all the mistakes, so their formatting and script “language” always seems to be the most well developed.

To top it off, he’s a swell guy and has been really great about ringing the town bell for the Script Archive!

Here’s a boatload of scripts from Andy Diggle!

Big thanks to Andy for making these scripts available to all of us! Stop by his website!

FULL SCRIPT: Chew #1 by John Layman

Posted in Scripts on June 3rd, 2009 by admin – Be the first to comment

The fine folks over at Comic Book Resources have posted up the full script to Chew #1 from John Layman and Image comics!
It’s pretty cool in the respect that they’ve taken the first 5 preview pages and inserted them into the script– so, you can get a good look at what John originally wrote and how it turned out!

Here’s a snippit from the article at CBR:

JOHN LAYMAN: I think one of the things comic writers are asked for the most at conventions is to see scripts. And I remember, as an aspiring writer myself, scripts were hard to come by, and I appreciated seeing how different writers approached things.

It’s true that no writer writes a script in the same way. I was lucky that when I was an editor at WildStorm I got to read scripts by a lot of great writers, and learned a lot from them. My favorite scripts? Scripts by Warren Ellis, Joe Casey, Kurt Busiek, Doselle Young and Mark Millar.

You can read the script (and full article) over at Comic Book Resources.